




REPRESENT REPRESENT





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pieces. and comes with 25 Heroes, Villians, Droids, and Creatures. This has the largest minifig count of any LEGO set released to date. Recreate the action and adventure of the Star Wars™ movies with the ultimate Death Star playset! This amazingly detailed battle station features an incredible array of minifigure-scale scenes, moving parts, characters and accessories from Episodes IV and VI on its multiple decks, including the Death Star control room, rotating turbolaser turrets, hangar bay with TIE Advanced starfighter, tractor beam controls, Emperor’s throne room, detention block, firing laser cannon, Imperial conference chamber, droid maintenance facility, and the powerful Death Star superlaser…plus much more! Swing across the chasm with Luke and Leia, face danger in the crushing trash compactor, and duel with Darth Vader for the fate of the galaxy! Includes 25 heroes, villains, droids and creatures! Includes 6 new and exclusive minifigures and droids only found in this set: Luke Skywalker™ (Stormtrooper™ outfit), Han Solo™ (Stormtrooper outfit), Assassin Droid™, Interrogation Droid, Death Star Droid and 2 Death Star™! Also includes Luke Skywalker, Han Solo, Obi-Wan Kenobi™, C-3PO™, R2-D2™, Princess Leia™, Chewbacca™, Luke Skywalker (Jedi Knight), Darth Vader™, Grand Moff Tarkin™, Emperor Palpatine™, 2 Stormtroopers, 2 Emperor's Royal Guards™, R2-Q5™, and mouse droid! All-new Dianoga™ trash compactor monster! Movie-authentic Death Star environments include the Superlaser control room and target monitor, Imperial conference chamber, TIE Advanced hangar bay with moving launch rack, Emperor's throne room, droid maintenance room, detention block, trash compactor, and much more! Rescue Princess Leia from the detention block cell, then escape through the secret hatch to the trash compactor below! Reenact the final duel between Luke Skywalker and Darth Vader in the Emperor's Throne Room! Death Star measures 16” (41cm) tall and 16½” (42cm) wide!

YOCK
"Cain't YOU knOW?!?"






"I have asked my advertising clients so many times, ‘Can we use a black girl?’ They say no. The concern is that consumers will resist the product. It all comes down to money."
on saturday had to see some nature. ventured uptown in search of tryon park. ended up on the eastside/harlem river drive. at one point i had to put the camera on my back to climb up a hill using vines as ropes and fingernails as claws, all while being bitten by bugs. i would say it was a sufficient experience for living in manhattan, and casually seeking a break from the beloved exhaust and sewer infested air. especially as it was a place on this little island with almost absolutely no people. interesting how wherever there is concrete, you can see how easily nature would (or will) have its way with things when we are gone to continually rebuild. eventually made it across to tryon park, which was nice and had refreshing views of the hudson. concluded that there is not an acre untouched in nyc. maybe....... i love thinking of the island when people looked at that river view and there was no city.



> At the CFDA-hosted "Beauty of Health" discussion, Michael Kors, Coco Rocha, and casting agent James Scully all stepped up to the plate to address the waning weights of models.
Kors threw in a designer's perspective, suggesting that his peers should "stay away from child-size clothes unless [they're] designing for children," and pointing out that when designers offer such small sample sizes and celebrities starve themselves to fit into them, their super-skinny aesthetic has a far-reaching impact on the general female population. He also advised agents to only send the most suitable girls to castings: “Sending a girl when there's little chance of her being booked throws a 16-year-old into a tizzy. The odds of a girl being booked for my show and Rick Owens’s are slim.”
"Last season I took diuretic pills. Once I took so many on an empty stomach that I was doubled over for hours. That's the last time I ever did something so terrible to my body." She asked designers to provide healthier food at their shows — "No one wants to be caught with that photo 'Model Eats Cake'" — and to make their fit models, and therefore their sample sizes, bigger — models are humiliated when zippers won't zip up at castings."
“She wakes up in the morning, goes to the bathroom to take a shower and runs by the full-length mirror because she can't bare to look at herself naked. She only weighs 104 pounds, but all she can think is, I need to be thinner. She hurries to her first show, where she promises herself she'll eat a few grapes. But when she gets there, there's nothing but pastries. First looks are called, she puts on her dress and it takes three people to zip her up. The dresser makes a joke, 'We almost had to call the agency and tell them you didn't fit.' All the girl can think is, I better not eat until tomorrow.”
— Coco Rocha, on the typical day of a model, at the CFDA Health Discussion Tuesday
I am 5'11 and naturally 130- 135. If they would accept someone at those statistics I wouldn't be going through such turmoil, yet I'm not completely blaming the industry 100%, because I do in fact understand that I could've chosen to go seek employment elsewhere.
Point being, it's a big fucking problem, I don't know how many times I've heard my other model roomates vomiting in the toilet throughout the years. It's sad. It's real, It's a problem. - Anonymous
"you need to lose more weight. The look this year is anorexic. We don't want you to be anorexic, we just want you to look it." Even crazier, an agent once advised her to throw up after meals.
....going a year without menstruating, and her hair weakening and falling out due to malnutrition. “That's kind of when I realized that this isn't worth it anymore, and it had completely taken over,” Ali Michael says.
not hot. the girls should be sexy, and not just in the face.. it does look pretty though when they walk... fuck it. just because the clothes are more complex and ornate today doesn't mean the girls have to fade away. infact, they should be able to exude more personality to compete with the added vibrance of the clothes and our society. there should also be a call for older models ( ahem, 19, 20..... yea, i know), women that carry at least a glimmer of adulthood experience in the eye is, sexy (and marketable). the argument is that the market is calling for akward (albeit beautiful) "anorexic" eastern euros. the fact is that the "trendsetters of the world" could easily change this standard with the very same brash passion of change and vision that forged this industry over the past twenty-thirty years. we all try and pretend the models are an afterthought to the collections, when really this is because they are full front and center in the marketing. models are going to resume selling clothes as the buzz of the internet reaches an apex and we start to see a redux of marketing design of yesteryear (ala, more fundamental creativity and less button pushing). so let's make sure to support a more dynamic ideal for our models. let them be the people we are and all want to be, comfortable and beautiful. because being inside the industry, it's easy to forget that those outside are blithely following the setting of these trends. we must face this with a real answer, just as david stern and the NBA and Goodell at the NFL must face their not so-invisble scandals hahahaa. that answer is real women (it's more fun when they're stars, not scared girls, no?), making really beautiful clothes look fun to wear and not just to nimbly present them on a catwalk before walking back around that wall and having a team try to tear through the zipper before she collaspes from loss of blood tot he brain. don't get me wrong, skinny is o.k., but bulimia breath is not. the model eating cake picture should be funny, not career ending.. please.
Francis Bacon is my favorite painter. Beyond his art, the man was an enigma in his own right. His body of work has very contemporary legs, I find that theyve withstood many transitional decades of new philosophy new art new technologies and are still as fervent (perhaps more so) in 2008 as when initially exhibited. All of his pieces are veiled by a superficial layer of beautiful coloration, interesting textural application, experimental process, and strangely mutated figuration. But what I really love about him, his work, and its enduring vigor, is that there is a deep dark destitute underbelly, partially exposed for those who are willing to see it. Akin to the film "American Psycho", all of his works contain an emotional violence, project a feeling of singularity and pain and coping. He is grasping for reality. There is a loneliness that speaks of the existentialist man fighting against the world (and perhaps losing), but this element can also be related to a human struggling for truth in a world where socializing has been replaced with text messages. His art reveals his psychosis, but to a mind conscious of modern societal failings, it should be relatable.
I think his later figurative paintings are the best in the world. The images of humans that Freud paints have transcended the highest reality procurable by photography. I do not think Freud's niche can be touched by anyone, past or present. If I were to relate his image style to a movie, it would probably be Harmony Korine's "Gummo"...but again, I dont think any artist of any medium can produce as captivating or grotesque a human realism as Freud.
behind the marquee

