



REPRESENT REPRESENT











>> PETA has long targeted Anna Wintour for her fur patronage, even going so far as to throw tofu pie in her face in 2005, but Carine Roitfeld may have just put herself on the hit list. In the August 2008 issue of Vogue Paris, Carine styled a shoot starring a fur-draped Raquel Zimmermann brazenly giving faceless PETA-like activists the bird. Only a couple of pictures from the Mario Testino-shot editorial have appeared so far, but these images are sure to stir the pot.











In the West we trust
To the chest I BUST!
Then we ride 'til the sun come shinin back to brighten up the sky, many die
July 13, 2008 --

A HEAD rolled at 303 Gallery in Chelsea after an employee failed to recognize designer Marc Jacobs . "He's a big art collector and he came in looking scruffy and homeless," said an insider. "A low-level employee was disturbed to see this guy walking around and asked him to leave. [Jacobs] left without a whimper. When the owner, Lisa Spellman, found out, she fired [the clueless staffer] on the spot." Spellman told Page Six that Jacobs has been to the gallery and an employee was fired, but not over Jacobs.
Time to question our lifestyle, look how we livetheres gon b sum stuff u gon c gon make it hard to :) in the future but whateva u c THROUGH ALL THE RAIN AND THE PAINTHROUGH ALL THE RAIN AND THE PAIN ALL THE RAIN THE PAINTHROUGH ALL THE RAIN AND THE PAINKEEP YOUR HEAD UP





After studying the detailed measurements made by the investigators before him, Newton recognized that many key measurements would be in round numbers if the standard unit of measure was just 0.001 (1/1,000) inch larger than the British inch-which just happens to be the Sacred Jewish Inch. (The Sacred Jewish Inch, 1/25 of a cubit, equals 1.00106 British inches.) This discovery allowed the secrets of the Pyramid to be unlocked and revealed unmistakable and mathematical relationships. For instance:
One very unusual feature of the Great Pyramid is a concavity of the core that makes the monument an eight-sided figure, rather than four-sided like every other Egyptian pyramid. That is to say, that its four sides are hollowed in or indented along their central lines, from base to peak. This concavity divides each of the apparent four sides in half, creating a very special and unusual eight-sided pyramid; and it is executed to such an extraordinary degree of precision as to enter the realm of the uncanny. For, viewed from any ground position or distance, this concavity is quite invisible to the naked eye. The hollowing-in can be noticed only from the air, and only at certain times of the day. This
explains why virtually every available photograph of the Great Pyramid does not show the hollowing-in phenomenon, and why the concavity was never discovered until the age of aviation. It was discovered quite by accident in 1940, when a British Air Force pilot, P. Groves, was flying over the pyramid. He happened to notice the concavity and captured it in the now-famous photograph. [p. 65]
Clearly, whoever built the Pyramid had access to information beyond that which earthlings possessed at the time, at least earthlings as we know them. Now, one can argue that we were visited by scientifically advanced beings from outer space who taught us their technology. That is possible from the evidence presented, perhaps even likely. If so, these advanced beings had the paramount goal of leaving behind a message that would endure for eons.
Suppose these beings decided to leave a message. The message would have to be universal yet simple. It would have to survive the centuries and be understandable by all the Earth's inhabitants despite language and cultural differences. The message would have to be understood by many languages that would not come into existence for centuries after the message was written.
So far the message indicates that whoever built the Pyramid knew the Earth well: the length of the year, the radius of curvature, the standard measurement techniques, the average height of the continents, and the center of the land mass. They were able to consruct something that we still cannot construct today, and they were able to tie all these things together in this single structure. Were they extraterrestrial, or perhaps even supernatural? The answer is not yet clear. However, thus far we have examined only the outside of the Pyramid.
CRAZY? A LITTLE BUT FUN
it seems a bit silly, but it's an interesting idea considering the holes and coincidence. k i gotta get back to it .P.S. BIRD IS A MOTHAFUCKIN NERD. YEEEEE


moving forward along the line of past work, but much much more solid in concept and approach and execution. i am very excited to put new pieces together for a show, i envision it being quite the spectacle.....
... so Now...





An Evening with Jeff Koons and Dr. Seuss
Information
Event Info Host: Type:
Time and Place Date: Friday, August 1, 2008Time: 5:30pm - 8:30pmLocation: The Metropolitan Museum of ArtStreet: Fifth Avenue at 82nd StreetCity/Town: New York, NY
Contact Info Email: *An Evening with Jeff Koons and Dr. Seuss*Description
Please join the College Group at the Met on Friday, August 1st for a whimsical evening of toys blown up to fantastic proportions and pianos the size of football fields. We will help stretch your perception of reality with the Metropolitan Museum’s installation of sculptures by artist Jeff Koons on the Museum’s roof and a screening of Dr. Seuss’ only live-action feature film, The 5,000 Fingers of Dr. T . Don’t miss this chance to enjoy a cocktail on the roof (for those over 21) and the company of other collegians in the presence of the fanciful works of two artistic geniuses.
Friday, August 1, 2008
The Metropolitan Museum of Art
Fifth Avenue at 82nd Street
Nearest Subway: 4, 5 Train at 86th Street
5:30-6:30pm: viewing of Jeff Koons on the Roof on The Iris and B. Gerald Cantor Roof Garden
6:30-8:30pm: screening of The 5,000 Fingers of Dr. T in The Grace Rainey Rogers Auditorium
************************************************************************************************
This event is free with Museum admission.
RSVP to metcollegegroup@metmuseum.org
You do not need a college ID to attend, however priority seating will be for those who are current students. The auditorium will open to the general public 10 minutes prior to the screening start time on a first come, first serve basis.

Larrys peein on European peons, Jacque lands the ill spot (only one word comes to mind: DUH>>>),and everybody else is BUILDING, preparing to implement much needed changes to the current social landscape of nyc and world at large.


"NONE: There are no Harlem., Murakami's studio painters have BFAs!"CHILL!!!! will post some pics maybe when ryan brings my camera back from paris haha. the later the better.
Personal Info
Interests: Favorite Music: About Me: I BIDE MY TIME AT AN ART STORE I HAVE MANY THINGS IN THE WORKS I HOPE TO FIGHT CURRENT INJUSTICE TOWARD FINE ART VIA FINE ART (AND A PRETTY SMILE), EVENTUALLY VERBALIZING AGAINST GREATER SOCIAL INJUSTICES ONCE THE MICROPHONE AND CAMERAS ARE IN MY HAND AND FACE RESPECTIVELY. HOWEVER I ALSO AIM TO ELUCIDATE THE WEAKNESSES AND DOWNWARD SPIRALS OF HUMANITY (SPEC. AMERICAN). RIGHT NOW I MAINLY PAINT AND DEDICATE UNHEALTHY AMOUNTS OF TIME TO FIGURING OUT 'THE GREATEST ANGLE OF REPOSE' BY WHICH TO BEGIN MY FULL OUT ASSAULT ON LACKLUSTER CURRENT TRENDS IN NEW YORK CITY'S ART GAME. I AM VISUALIZING A WAY TO STEP OUTSIDE OF -OR- TRANSCEND MY OWN HUMANITY, SO I CAN LOOK AT THE WORLD FROM A VANTAGE ABOVE OR BEYOND AND THUS HAVE AN OBJECTIVE VIEW BY WHICH TO PLAN THE NEXT COURSES OF ACTION ALL APART OF THE GRAND PLAN.
POST SCRIPT TO ALL WHO ARE CODDLED BY THIS PASSIVE-AGGRESSIVE SOCIETY: IM GOING TO GIVE IT TO YOU RAW

TRACK WALKIN like CHRISTOPER WALKINS
Cuz it's friday, you ain't got no job..., and you ain't got shit to do! not a damn thing,, so you finna twist that wood ?